A very mainstream article on The slow death of purposeless walking surprised me.
First this was such an urban-fed and middle class idea. The very meat and drink of the colour supplement (in its online form in this case). Has the writer had to walk to dead-end work or rubbish school or anywhere? Day after day. Had nothing to come home to. Had no home? Lived in the country and had to walk everywhere. Walked to hitchhike? Has the writer had nothing else to do? If you cannot afford to pay for entertainment or shelter walking is an end itself keeping you warm and with at least the promise that something will turn up. And you can own the space you make if nothing else.
But second has the writer not investigated the artistic practice of any modern writers or artists - he quotes the usual suspects Emerson and Wordsworth but somehow that is where such articles always end their investigations. You don't however have to look further than Robert MacFarlane's equally mainstream (from a Borders' viewpoint) The old ways which contains a whole chapter on the purposeless walk - which has a name in Scotland - stravaiging. And some insight into artists and writers gleaning ideas - or any thinkers- using the structure and space of a walk; a mathematical shape to frame or reveal or draw up ideas.
One day this process might have a mechanical or digital embodiment but for now walks come cheap and plentiful. So this is why we see an attempt to market them; brand them with an identity that can then be sold back to us. I expect next the arrival of the purposeless walk shoe.
Until then, you can read the BBC article here http://www.bbc.co.uk/news/magazine-27186709 or find out more about Robert MacFarlane's book here http://www.theguardian.com/books/2013/jul/02/old-ways-robert-macfarlane-review,
Showing posts with label Stravaig. Show all posts
Showing posts with label Stravaig. Show all posts
Sunday, 4 May 2014
Wednesday, 1 January 2014
Burn your thumb
Take a look at Burned Thumb in its Facebook entity. (The story of the burned thumb is a good one known to me from the stories of Fionn mac Cumhaill and concerns gaining an understanding of all the languages of the world and salmon - subjects close to p&g's heart.)
Elizabeth Rimmer its host describes herself as "poet, gardener and river-watcher". And her site and poetry are full of things pleasing to p&g readers. She is also one of the editors of Stravaig the online journal of the Scottish Centre for Geopoetics.

Find out more here http://burnedthumb.co.uk/ and here https://www.facebook.com/burnedthumb?fref=ts and here http://www.redsquirrelpress.com/RimmerBIOG.html
Elizabeth Rimmer its host describes herself as "poet, gardener and river-watcher". And her site and poetry are full of things pleasing to p&g readers. She is also one of the editors of Stravaig the online journal of the Scottish Centre for Geopoetics.
Find out more here http://burnedthumb.co.uk/ and here https://www.facebook.com/burnedthumb?fref=ts and here http://www.redsquirrelpress.com/RimmerBIOG.html
Thursday, 18 July 2013
Riverbank listening 01
I have been working on this project around about 6pm at the junction of the Huntlyburn and the Tweed.
The Huntlyburn is dry and the Tweed flowing.
An opportunity to follow the Huntlyburn tributary riverbed now a path with large cobbles moving and clattering beneath my feet.
Sandmartins whose nest entrances I can now see fly in arcs above. Grass and thick vegetation moves swishing and pulled by the breeze the main river sucks towards it. And the oystercatchers - followers of Bridget - call in alarm as I stravaig through their territory.
A drainage pipe marks the join between wet and dry river beds. And the water of the Tweed flows with a fast fluent sound; and a bass note of glugs as the water passes over the pipe.
How many notes does water flow contain?
The Huntlyburn is dry and the Tweed flowing.
An opportunity to follow the Huntlyburn tributary riverbed now a path with large cobbles moving and clattering beneath my feet.
Sandmartins whose nest entrances I can now see fly in arcs above. Grass and thick vegetation moves swishing and pulled by the breeze the main river sucks towards it. And the oystercatchers - followers of Bridget - call in alarm as I stravaig through their territory.
A drainage pipe marks the join between wet and dry river beds. And the water of the Tweed flows with a fast fluent sound; and a bass note of glugs as the water passes over the pipe.
How many notes does water flow contain?
Tuesday, 11 June 2013
Bewick walks to Scotland
And so our trio of related posts is complete with the title of Sally Evans' study on Thomas Bewick based on his stravaig of 1776.

The book is available for a mere £7 published by Arrowhead Press in 2004. I have a copy and it is well worth it.
More here http://www.arrowheadpress.co.uk/books/bewick.html and more on Sally herself and her latest ebook Poetic adventures in Scotland here http://desktopsallye.com/.
The book is available for a mere £7 published by Arrowhead Press in 2004. I have a copy and it is well worth it.
More here http://www.arrowheadpress.co.uk/books/bewick.html and more on Sally herself and her latest ebook Poetic adventures in Scotland here http://desktopsallye.com/.
I hope the road will follow this river's
wooded otter pools.
(from Sally Evans' Bewick poem Langham)
Friday, 12 April 2013
Stravaig Scottish geopoetics
Issue 2 of the the online journal of the Scottish Centre for Geopoetics is out now and features new work from Scottish poets and writers including Elizabeth Rimmer (who also edited this issue), Bridget Khursheed and Susan Richardson.
Stravaig is a Scots word meaning a special kind of walk or tour; infinite and open-ended and minded...Robert Macfarlane gives a good definition in his book The Old Ways.

You can view it here http://www.geopoetics.org.uk/online-journal-stravaig/stravaig-issue-2/
Stravaig is a Scots word meaning a special kind of walk or tour; infinite and open-ended and minded...Robert Macfarlane gives a good definition in his book The Old Ways.
You can view it here http://www.geopoetics.org.uk/online-journal-stravaig/stravaig-issue-2/
Subscribe to:
Posts (Atom)





