Sunday, 31 July 2011

Relaxed pronunciation

We don't always say all our words perfectly clearly. Per-fect-ly clear-ly. And yet when we count stresses writing poetry that is often just how we think. And count. Yet syllables of common words are slurred together. And this is almost always present in normal speech, in all natural languages.


Some styles of delivery, like auction chant, use this technique for effect.  Here the techniques of slurring filler words to make multiple filler word phrases is a key element. It appears that the auctioneer is talking fast, and this in turn generates excitement and anxiety (that their offer will be accepted or be in time) among the bidding crowd.

You can hear relaxed pronunciation in various singing styles too: current Vocoder use comes to mind. The effect of relaxed pronunciation countering a stressed line when reading is worth exploring too. A similar effect to an acoustic rendering of a line or two in the middle of a Led Zeppelin track.

Thursday, 28 July 2011

Walden

That Thoreau guy was lucky to live in a wood but have a bit of money put by.

Walden Thoreau.jpg

Green woodpeckers

I have been over in a wood in the west of the Borders. It is private. A private space in an otherwise land of open walking. In Scotland, you have the right of way. Unless specifically told not to. Here you are told not to.

I have been living in the wood for the past few weeks. They know me in the pub even. It has been relatively easy to keep clean and tidy. I have surprised myself.

I have been waiting for green woodpeckers.


They are a large bird. And they live in this wood in numbers. You can hear their cry going from tree to tree. And in quite open places, you think you must see them. But I haven't.

Just the laughing cry that gives their old name of yaffle.

What makes the wood so attractive to them (and me) is the leas within it. Open clearings, mown flat, and surrounded by wild geranium, foxgloves still out in shady places, shot dog's mercury and russian grass and ragwort that has stolen in from the surrounding fields. The deer, whom I encounter often, keep the centre of the clearings green and short like a lawn. It is like a garden.

And I expect the woodpeckers. They like to ground feed I know.

I have met people on the road who have seen them close by. But whatever glade I choose, the ash tree, the newty pond, the balsam. The laughing cry comes from elsewhere.

I have become light and clean waiting for them. I have surprised myself.

Monday, 25 July 2011

Wombats of Bundanon launch Sydney Australia 3rd August 2011

3 books to be launched at books to be held at the Friend in Hand pub, 58 Cowper St, Glebe, Sydney at 7.30 pm on Wednesday 3rd August

  1. Rae Desmond Jones' Decline and Fall
  2. Kit Kelen's China Years
  3. and a bilingual English-Chinese anthology of 20 Australian poets Wombats of Bundanon including Chinese poet translators Chris Song Zijiang, Iris Fan Xing and Debby Sou Vai Keng and work by Rae and Kit and Anna Couani, Chris Wallace-Crabbe, Pam Brown, Adam Aitken, Andy Kissane, John Bennett, Martin Langford, Philip Salom, James Stewart, Myron Lysenko, Chris Mansell, John Tranter, Les Wicks, S.K.Kelen, Ron Pretty, Clive Ralfe, John Mateer, Beth Spencer and Carol Jenkins



You can eat at the pub eatery for $10 from 6pm onwards.

More on the Bundanon Trust here http://www.bundanon.com.au/

The book was also launched in Macao, China where its editor Kit Kelen is based and you can contact him on Facebook if you want to buy a copy.

Friday, 22 July 2011

Poet and geek: Pooja Mittal

Pooja Mittal's book Subliminal dust (Odyssey books) explores layers of silence through accumulated semantic shifts and details. She was born in Nigeria in 1983, of Indian parents. Brought up there until the age of ten, she considers Nigeria her first country. After being sent to school briefly in India, she moved to New Zealand in 1995. She is now a postgraduate student at Monash University in Melbourne, Australia, where she is completing a Masters degree in English Literature under an Australian Postgraduate Award.

Tuesday, 19 July 2011

Nabati poetry contest in UAE

The competition will exhibit artistic images in three categories:

  • the most beautiful Nabati poem in describing the bird (falcon),
  • the most beautiful Nabati poem in describing Mignas (hunting)
  • and the most beautiful Nabati poem which discusses loss of the bird.

The participating poems must be submitted via e-mail to adihex@adach.ae . The total value of the prizes is 135,000 UAE dirhams. The winner in every category gets an AED of 20,000, while the runner up gets AED 15,000 and third place finalist receiving AED 10,000. The Exhibition's High Organizing Committee also grants the winners appreciation certificates. Deadline is September 7th 2011. The competition is meant for poets of Gulf Cooperation Council nations and Arab Nabati poets.




More on the poetry contest here:

http://gulfnews.com/news/gulf/uae/heritage-culture/registration-begins-for-nabati-poetry-contest-in-uae-1.829307

http://www.asiawrites.org/2011/06/nabati-poetry-competition-poetry.html


Sunday, 17 July 2011

That pesty word

John Hollander talked of the narrow strip being a formatting choice for free verse but how much is our line length influenced by our choice of writing medium? The thin note pad, the mobile phone, the text editor that insists on capital letters: are they shaping our poetry more than our own choices.




  1. Try taking a piece of paper a really big one, lining paper for the wall is ideal
  2. But a wall itself is another solution
  3. Try writing and find out where you naturally stop
  4. Think Walt Whitman